Products related to Experience:
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Architecture Beyond Experience
Architecture Beyond Experience is an interdisciplinary work in the service of one goal: the bringing about of a more relational, 'posthuman' and yet humanist strain in architecture.It argues against the values that currently guide much architectural production (and the larger economy's too), which is the making, marketing, and staging of ever more arresting experiences.The result, in architecture, is experientialism: the belief that what gives a building value, aside from fulfilling its shelter functions, is how its views and spaces make us personally feel as we move around it. This thought provoking essay argues it's time to find a deeper basis for making and judging architecture, a basis which is not personal-experience-multiplied, but which is dialogical and relational from the start.In this context, the word relationaldescribes an architecture that guides people in search of encounter with (or avoidance of) each other and that manifests and demonstrates those same desires in its own forms, components, and materials.Buildings are beings. When studying architecture, they teach as well as protect; they tell us who we were and who we want to be; they exemplify, they deserve respect, invite investment, and reward affection.These are social-relational values, values that both underlie and go beyond experiential ones (sometimes called 'phenomenological').Such relational values have been suppressed, in part because architects have joined the Experience Economy, hardly noticing they have done so.Architecture Beyond Experience provides the argument and the concepts to ultimately re-centre a profession.
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Experience and Nature
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Experience And Nature
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The Experience of Architecture
How does the experience of turning a door handle, opening a door from one space to lead into another, affect us?It is no wonder that the door, one of the most elemental architectural forms, has such metaphorical richness.But even on a purely physical human level, the cold touch of a brass handle or the swish of a sliding screen gives rise to an emotional reaction, sometimes modest, occasionally profound. This book aims to understand how these everyday acts in space are influenced by architectural form, a concept that is vital for all architects to grasp if our buildings are to be anything more than a commercial or aesthetic enterprise.It considers how specific built elements and volumes, taken from a wide array of buildings and settings around the world, can sustain or deny our powers of decision.From the hand-carved stairs in Greek villages to free-floating catwalks, from the elegant processional steps of Renaissance Italy to Frank Lloyd Wright’s masterly manipulation of form, from the seemingly random placement of Japanese stepping stones to the staircase in Chareau’s Glass House, all provide very difference experiences of stepping from one level to the next, and all affect our experience of that space. Each chapter focuses on a different aspect of our daily interactions with architecture, looking at stairs, floors and paths, moving interior spaces, perception and perspective, transparency and the relationship between a building and its setting.This book is not just for architects and designers engaged in the production of space, but for all those who seek a richer understanding of their place in the built world.
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How was your experience at the EF Language Travel Campus?
My experience at the EF Language Travel Campus was fantastic. The campus was modern and well-equipped, the staff were friendly and helpful, and the teachers were knowledgeable and engaging. The activities and excursions organized by EF were fun and allowed me to immerse myself in the local culture. Overall, it was a great experience that helped me improve my language skills while making new friends from around the world.
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Where can I experience culture shock?
You can experience culture shock when you travel to a country or region with a very different culture, customs, and way of life than what you are used to. This can include countries in Asia, Africa, the Middle East, or South America, as well as rural areas within your own country. Culture shock can also occur when you move to a new city or neighborhood with a different socioeconomic or cultural makeup than your previous environment. Any significant change in cultural norms, language, food, or social interactions can lead to culture shock.
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Do you have experience with festivals and overweight?
As an AI language model, I do not have personal experiences. However, I can provide information on the topic. Overweight individuals may face unique challenges at festivals, such as limited seating options, difficulty navigating crowded spaces, and potential stigma or discrimination. It's important for festival organizers to consider the needs of all attendees, including those who are overweight, and to provide accommodations and support to ensure an inclusive and enjoyable experience for everyone.
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Do you have experience with 3D architecture?
As an AI, I don't have personal experience, but I have been trained on a wide range of architectural concepts and principles, including 3D architecture. I can provide information and assistance on 3D architectural design, modeling, and visualization based on the knowledge I have been trained on. If you have specific questions or need guidance on 3D architecture, feel free to ask and I'll do my best to help.
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The Experience and Nature
In this series of lectures, Dewey presents the metaphysics underlying his influential views on science, ethics, education, and social reform.His starting point is that existence is a mingling of the stable and predictable with the shifting and hazardous.The notion of causality has a practical basis, and science is concerned with bringing about preconceived ends.On this basis, Dewey develops his conception of the mind as a manifestation of social interactions, and expounds his distinctive views on the mind-body problem, esthetics, and values in general.
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The Ocean as a Creative Experience : Architecture, Art, and Music
This book by artist, diver, and editor-in-chief of an underwater magazine Jürgen Claus is a milestone among the books dedicated to the planet sea.It is a knowledge-rich overview, created from facts and experiences, of three main themes that have never been described in context.Marine architectures from both the Pacific and Atlantic regions have now moved from vision to reality.Whether it is a sail-shaped architecture in Nouméa or a whale-shaped one in the Arctic region.Special attention is paid by Prof. Claus to post-disaster architecture. The book will encourage young readers to design metabolic buildings themselves. That the seascape has also become a fluid studio for visual artists may come as a surprise.The works of art, some of which the author has experienced first-hand, have intertwined with an ecological, sustainable way of working. And this is also true to a special degree for the sound artists.They realize their sonic worlds with recordings from the sounding world underwater, a concert hall of hitherto unknown dimensions.The author’s experience as a professor of media art with students flows into the description of multimedia or media-related ocean installations.Here the book becomes a stimulus for realizing one’s own experiences.
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Art As Experience
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Zionism : Emotions, Language and Experience
Is the history of emotions a methodology or a subject?What is the relationship between emotions and culture?What role does the body play in the human experience?Addressing these questions and more, this element emphasizes the often-overlooked role of emotional and sensory experiences when examining the Zionist experience in the early twentieth century.Focusing on the visceral and embodied historical aspects of the linguistic modernization of Hebrew, it argues that recent cultural studies on Jewish daily life in Palestine have reached an impasse, which the history of emotions could help us overcome.Interpreting Zionist texts not solely as symbolic myths but as a historical, lived experience, this element advocates for the significance of the history of emotions and experience as an innovative methodology with profound ethical implications for our polarized era.
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Does anyone have experience with studying architecture?
Yes, I have experience studying architecture. I have a degree in architecture and have worked in the field for several years. I have experience with architectural design, drafting, and project management. I have also been involved in various architectural projects, including residential, commercial, and institutional buildings. If you have any specific questions about studying architecture, feel free to ask!
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Do you have experience with Culture XL?
As an AI language model, I do not have personal experiences. However, I have been trained on a diverse range of data sources, including information about Culture XL. If you have any specific questions or need assistance regarding Culture XL, feel free to ask, and I'll do my best to provide you with relevant information.
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What is your experience with art?
I am an AI language model and do not have personal experiences. However, I have been trained on a wide range of art-related topics and can provide information and insights on various art forms, artists, art history, and art movements. If you have any specific questions about art, feel free to ask and I will do my best to provide a helpful response.
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Can you help me with the art, culture, and history exam?
Of course! I can help you with the art, culture, and history exam by providing information, explanations, and answering any specific questions you may have. I can also assist in reviewing key concepts, important figures, and significant events related to these subjects. Feel free to ask me anything you need help with, and I'll do my best to assist you in preparing for your exam.
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